“Ex Machina” impresses visually with its beautiful depictions of nature contrasting the sleek, lifelike depictions of the robots. “Ex Machina” separates itself from other films with its superior cast, its relatable themes and an elegantly complex storyline. […]
Flo Rida’s “My House” features varied melodies, an array of impressive beats and smooth rapping to round out a seven-song EP that carries on the recent success of his last album, “Wild Ones.”
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“Home” is an animated film that follows the road trip of a young girl named Tip (Rihanna) and an alien named O (Jim Parsons). After an alien race known as the Boove takes over Earth, 15-year old Tip is left with nothing but her cat, her car and the desire to find her mother, who was relocated during the invasion.
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About as impressive as it gets, the animation throughout this film is realistic and the incorporation of real life with the animation makes for a more modern film that combines the two dimensions. The film is a family oriented comedy and is directed primarily at young children but can still be enjoyed by anyone. […]
Ever since gaming began, first-person shooters have been on the front lines of fun in the gaming industry, and this year, developer company DICE teamed up with Visceral Games to give us the latest edition of their award-winning FPS series Battlefield©, with Battlefield: Hardline. […]
Clichés are clichés for a reason: because they work. […]
A crime drama unlike any other on television, “American crime” captivates viewers in its first season. An intriguing plot and characters, as well as a realistic and relatable setup, propel the series to greatness. […]
Phil Miller seems to be the last man on Earth, but quickly finds out that he is not alone. […]
Contrary to the belief that to be able to read minds would be fun, Sarah Mlynowski’s new book, “Don’t Even Think About It” explores the idea that to read minds would be a burden. Despite an interesting premise, the novel ultimately fails to be entertaining due to a repetitive plot. […]
Ravens should not be allowed near writing desks, as is proved by he complete failure that is Andrew Smith’s “The Alex Crow.” […]
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