“Smoke & Mirrors” prompts reflection among viewers with serious themes

By Madeleine Powell

Arts Editor

Smoke and mirrors are intended to mislead and confuse the viewer, but the Torrance Art Museum’s newest exhibit, “Smoke & Mirrors” attempts to convey truths about some of the world’s many mysteries.

The multimedia works that constitute the exhibit provide viewing and listening experiences that stay with the exhibit-goer long after they leave due to their complex and thought-provoking themes. The tactful lighting and soundscape are equally effective in creating a memorably unique exhibit.

Organized by Gioj de Marco and Elizabeth Withstandley, “Smoke & Mirrors” contains works of various mediums, such as videos, sculptures and photography. The exhibit features pieces by 13 artists originating from Argentina, France, Italy, Germany and the United States.

“Smoke & Mirrors” aims to explore importance of humans and their influences on the universe. The works address abstract ideas such as memories and the fleeting nature of reality.

The messages behind each work differ greatly, creating refreshing variety throughout “Smoke & Mirrors.” Gordon Winiemko’s video “That Douchebag Was in My Way (FTW),” focuses on the vanity of professional players, and is highly comedic. Conversely, Thomas Müller’s ominous painting “I think about your death all the time” highlights the abstract nature of language.

“Smoke & Mirrors” stimulates discussions among exhibit-goers about the diverse themes and complex construction of various pieces. The echoey gallery space creates a warm buzz as the lull of conversation mixes with the sounds of the numerous works featuring audio. This complex soundscape adds to the experience of the exhibit as a whole.

While primarily illuminated by bright white fluorescent lights, slight differences in lighting throughout the gallery space capture the attention of attendees. Dimmer lights shine on works that are more serious in theme, and a single purple-filtered light creates a mysterious effect within the exhibit.

Arguably the most mystifying work of the exhibit, Elizabeth Withstandley’s multimedia piece “The Real Brian Wilson” is a story rather than simply a piece of artwork. Featuring a dual-screen video as well as a case of digital images, “The Real Brian Wilson” documents a project exploring individuality in which men named Brian Wilson meet and discuss their experiences with their shared name.

Dorsey Dunn’s “Epilogues” is a mystery in its own right. Viewers stand inside the angled structure and listen to twinkling, echoing bursts of sound, which are meant to convey memories and recollections. The piece’s obscurity resonates and leaves a distinct impression on the viewer.

With its subtle changes in lighting, skillful use of sound and intricate messages, “Smoke & Mirrors” provides an audio-visual experience that gives attendees the chance to consider the true meaning of reality, despite its illusionary title.

“Smoke & Mirrors” opened on Jan. 20, and will close on Mar. 10. The Torrance Art Museum is open Tuesdays through Saturdays from 11 a.m. to 5 p.m. The Torrance Art Museum is located at 3320 Civic Center Drive in Torrance.